In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Vergil's Aeneid and the Roman Self: Subject and Nation in Literary DiscourseJames J. O'HaraYasmin Syed. Vergil's Aeneid and the Roman Self: Subject and Nation in Literary Discourse. Ann Arbor: The University of Michigan Press, 2005. x + 277 pp. Cloth, $65.This book, which "began as a PhD dissertation at the University of California, Berkeley" (1997), tackles a timely, large, and difficult topic, possibly a topic too difficult to (...) be handled in a satisfactory way in a dissertation and first book. In sum, it makes a decent but flawed contribution on a topic that needs much more work, and in some ways, much more careful work.Two introductory chapters describe the importance of the Aeneid in imperial culture and the role of manipulation of the emotions in ancient theories of rhetoric. In a section called "The Reader's Subject Position," two chapters (both largely on Aeneas and Dido) treat "The Gaze" and "The Spectacle of Emotions." In the next section, on "Gender and Ethnicity," four chapters treat "Gendered Emotions" (before Allecto's visit, Amata is worried, but Turnus is calm; "frenzy, then, is female," 122), "Gendered Ethnicity" (Dido's characterization as Punic "is hard to detect because it is blended with her lover's persona," but it is still significant, 145), "Cleopatra and the Politics of Gendered Ethnicity" ("Augustan representations of Cleopatra form the birth of the Western discourse of orientalism," 177, somewhat overstated, but with interesting ideas about the connection between Cleopatra and Dido), and "Romanitas" (Greek stereotypes, and others, define Romans but are characterized by a "fundamental ambivalence," 203). A brief conclusion ends the book.The interesting argument that Syed makes in the first few chapters is "that the Aeneid used its visuality and its sublime style to appeal to the readers' emotions, and that it created a fictional space for an internal reader within the poem for [End Page 317] 316 whom the poem could articulate an identity by creating various fictional characters as figures of identification" (35). Both these and later chapters offer a mix of the new, the familiar, and, at times, the unconvincing. Two of the book's flaws are actually signaled in the surprising final paragraph, which declares that the book's "most glaring omission has been that of considering more Italian characters and generally of giving more attention to the second half of the poem" (227). Syed says that this "focus" on other aspects of the poem "has been a personal decision on my part," but it is hard to imagine thinking about "subject and nation" in the Aeneid without discussing the relationship between Rome and Italy both in the poem and in Vergil's world; see C. Ando, "Vergil's Italy: ethnography and politics in first-century Rome," pp. 123–42 in D. S. Levene and D. Nelis, eds., Clio and the Poets (Leiden, 2002), whose date is probably too close to Syed's publication date. Presumably there will be a full discussion of Rome and Italy in Alessandro Barchiesi's forthcoming The Geopoetics of Vergil's Aeneid.The lack of attention to Books 7–12 is also a problem, because often the arguments Syed makes about the parts of the Aeneid that she does treat are less convincing when we think about passages in the second half of the poem. The claims that Aeneas has a special ability "to control his emotional responses to the world" (70) and that "in contrast to Aeneas, whose emotions are carefully controlled, many characters in the poem give free rein to their emotions" (87), surely cry out for a consideration of Aeneas' rampage after the death of Pallas in Book 10 and the rage with which he kills Turnus in the poem's final lines. The discussion of Dido's wounds and of Lavinia's association, through allusive simile, with the wound of Menelaus (125–35) is fairly good. But Syed does not mention that Turnus at the start of Aeneid 12 is compared to a wounded deer, or that right before the Lavinia scene Vergil says Turnus "grows sicker with the attempt to heal" (aegrescitque medendo, 45). Lavinia is indeed associated with Menelaus by allusion, but Aeneas... (shrink)

This article aims at linking empirical research to legal theories, in a way that could enhance the benefits of this synergy. Jurisprudence, until recently the usual term for theoretical approaches to law, is now often replaced by the term legal theory. Difference between legal theory and empirical research is reflected in their consideration of subject matters, aims, and methods of research. However, there also exist commonalities between the two, i.e. both aim at comprehending law and legal systems. While legal theory (...) uses philosophical tools, its subject matter still remains a social phenomenon, for social ends. And since empirical research is a means to gather information about law, it could act as a prime source of information for legal theory. While empirical research has its own end to follow, what is missing is, attention to some legal theory, not just general legal theory, but which can also critique philosophical discourses to legality. (shrink)

Full text of erratum: "In the article by D.J. Buller, on p. 278, the y-axis label to Fig. IIb was incorrect. Instead of 'Percentage choosing "Eats cassava root" and "Tattoo," it should have read: 'Percentage choosing "Eats cassava root" and "No tattoo."' We apologise to readers for this error.".

I present an annotated development of the basic ideas of the Geneva School approach to the foundations of physics and the structures which emerge as mathematical representations of the physically dual notions of state and property.

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this (...) book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing... (shrink)

Oxford Scholarly Classics brings together a number of great academic works from the archives of Oxford University Press. Reissued in a uniform series design, they will enable libraries, scholars, and students to gain fresh access to some of the finest scholarship of the last century.

Does South Africa need a common moral language? Many people are of the opinion that South Africa finds itself 'after Babel’ and needs a common moral language (1). The author considers some of the arguments of people who disagree with this analysis, because they do not define the problem in this way (2); because they find the language- or Babel-methaphor confusing (3); because they agree with the description of the problem, but not with the suggested solution, namely a common moral (...) language (4); or because they accept the solution, but do not regard it as the proper task of the Christian church to be involved in this search for a common moral language (5). (shrink)

I present an annotated development of the basic ideas of the Geneva School approach to the foundations of physics and the structures which emerge as mathematical representations of the physically dual notions of state and property.

Some tradition historical perspectives on Psalm 83 Psalm 83 forms a poetical unit and is the well constructed poem of an artist. It could be divided into two stanzas which contains a cry for help (2), lament (3-9) and several petitions (10-19). This work reflects different tradition historical allusions. The use of prophetic language is immanent, while the faces of the prophets Isaiah, Jeremiah and Ezekiel are elusively present. Two episodes from the history of the Judges (Judges 4-5; 7-8) are (...) utilised to expose its independent function in this psalm. The occurence of a well known Canaanite tradition is further obvious, while the question into the psalm's apocalyptic relationships is negatively assessed. Single motives like the upliftment of the head (3) and the shepherd/flock image (13) fulfil a definite Junction within the psalm’s context. The poet clearly applied historical traditions, motives and images to express an independent function within its context. (shrink)

" Waldie speculates on the meanings and implications of the snapshots in this book and of snapshots generally, which he sees as expressions of "the hunger of memory.".

A Distinction of four species of tragedy and epic poetry is laid down, though not explained at length, in two passages of the Poetics, and, as I hope to show, mentioned in another. At the end of the treatise, Aristotle positively says that he has given an explanation of both the species and the component parts of tragedy and epic poetry.